2021 Judges

Robyn Muche

Robyn Muche is an Arts practitioner based in Somerset Queensland. After graduating from a Sydney College of Art Robyn was engaged by the NSW National Parks & Wildlife Service, the Australian Museum, Taronga Zoo, the Queensland Museum of Natural History and the Botswana Art Gallery & Museum of Natural History as an exhibitions artist and illustrator. Robyn, together with her late husband and partner, naturalist and renowned sculptor Bodo Muche (1939 – 2017), created Bodo Muche Studio Foundry in 1978. Under Robyn’s management, the Studio continues to produce naturalistic sculptures in bronze and stainless steel, with works to be found in public, private and corporate collections nationally and internationally.

Ferre De Deyne

Ferre De Deyne is owner operator and managing director of iconic tourist attraction Big Kart Track for over 30 years. He is the current director of the Sunshine Coast Arts Foundation and former director of Caloundra Tourism and sits on the Sunshine Coast Tourism Board and SunnyKids Board. Ferre is a member of several community organisations, especially in the arts and is a generous philanthropist. Ferre is a returning judge after being invited to judge the inaugural Sculpture on the Edge 11 years ago by Jude Turner, owner of Spicers Retreats.

Nicole Voevodin Cash

Nicole Voevodin Cash is a contemporary Queensland artist based in the regions, who holds a Dip.Fine Arts, Grad Dip.Art Teaching, a Masters of Visual Arts. She has taught and lectured in various institutions in Queensland CQU, USC, QUT and was an Education Officer at the QAG. She is currently on the Sunshine Coast Arts Advisory, Sunshine Coast Creative Alliance Boards, Teaching Artist at Montessori International College, Arts Curator@MIC and Director of RUN Ari.

Voevodin-Cash has had Solo exhibitions of her installation works at the Institute of Modern Art Brisbane, Metro Arts, Viafarini Galleria Milan, Artisan, Albury and the Ipswich Gallery. She has continued to investigate ‘landscape’ in its broader sense of our ‘interaction’ with it as a sculptural strategy. More about Nicole…

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